Hearing
new voices in the music industry is exciting and refreshing, however, according
to music consultant Yaw Boadu-Ayeboafoh, it is hard for aspiring artistes to
survive in Ghana.
Speaking
on 3Music TV’s Culture Daily, he explained that music is costly and that the
industry is underinvested, therefore most musicians end up doing everything
themselves.
“Per
my experience, over the past couple of years, I’ve realized that it’s becoming
difficult for new artistes to be able to do music in our industry. It’s become
more expensive in terms of production, video costs to promotion. And considering
that we don’t have a large number of investors or record labels supporting. If you
realize Ghana’s music industry has for the past years been predominantly run by
independent artistes. And if you don’t have the finance to fully run your business
it’s hard for you to make gains.”
He
went on to say that the new generation of musicians that emerged during the
lockdown was noticed because people were bored and spent a lot of time
listening to music.
“From 2020, when we went into lockdown, we had a lot of new music sipping through. We didn’t really need to do a lot of promo because we were all bored at home just listening to music. So it was easier for you to be on the internet and make music and then we hear of you. J.Derobie, the Asakaa Boys even Kofi Jamar. All these are examples of music typically if they were in this time would have been hard for them to blow because they would have needed more resources to preach the music and that’s what the current people lack. Yesterday I was listening to Spotify I was just shuffling through and there was a lot of amazing music from Ghanaian artistes but then you don’t even hear it on radio. You don’t even hear talking about it on social media. It’s usually they and their friends.”
Albert
Donko, a Streaming Consultant, added that new musicians fail to stay relevant as
they are unable to produce songs consistently.
Sign up for the 3Music Newsletter for breaking news, events, and unique stories.
“He recorded and sent it back in under 15 minutes. That’s real chemistry.” But beyond studio moments, Medikal insists that the business side of music is just as crucial as the art itself.
The event, organized under the leadership of Piesie Esther Ministries, once again affirmed its reputation as one of Ghana’s most powerful gospel experiences merging faith, artistry and community impact in a night that celebrated divine grace in its fullness.
Kweku Smoke, originally known for his blend of Ghanaian trap, rap and hiplife influences, has been steadily evolving his sound. His new album finds him deepening this progression. WALK WITH ME is the sound of a rapper who didn’t just participate in Ghana’s trap wave, but one who helped shape it…
The founder of Dabo Soccer Academy recently met with President John Dramani Mahama in Paris, where the two engaged in an inspiring discussion about the future of Ghanaian football.
The American superstar was warmly received by the Lagos State Commissioner for Tourism, Arts and culture, Mrs. Toke Benson-Awoyinka, as she embarks on a tour that honors Lagos’ vibrant tourism, art and culture scene.
“Dancehall in Ghana hasn’t been well-packaged,” he says frankly. “We need structure, real promoters, managers, business minds. The audience wants more than playback performances. They want soul.”
Ghanaian-American singer Moliy continues to make waves on the global music scene as she celebrates a major career milestone,earning a BRIT Certified Gold Plaque in the United Kingdom for her hit single SHAKE IT TO THE MAX, which has officially surpassed 400,000 units sold.
You cannot put me under a genre,” he says calmly, “but you can put my songs under genres.” It’s a statement that captures his musical spirit being free, fluid and deeply human.
What makes Akuvi different is her refusal to separate art from emotion. “People think they need to wait until they’re confident or ready,” she said. “But that’s just insecurity in disguise. I’ve learned to do it scared.”
Akuvi decided to confront her fears head-on and recorded her first song, OBLIGATIONS, a heartfelt conversation with God about her purpose.
“THE ODYSSEY is a journey,” Arathejay says. “It’s what makes me who I am, the experiences, the pain, the faith, everything.”
For Ghanaian artiste Arathejay, music is more than rhythm it’s a revelation. Known for his introspective storytelling and calm demeanour, the rising star opens up about faith, pain and purpose in his latest project, THE ODYSSEY
Showboy Shares His Journey From Prison To Becoming Ghana's Biggest Trapper
Comments