Veteran Ghanaian actor Adjetey Anang, is pulling back the curtain on his creative philosophy and it’s rooted in discipline, intentionality and a deep respect for the craft.
For many fans, his most memorable performances have come from darker roles, something he openly embraces.
“My best roles have been the very evil and wicked characters.”
It’s a reflection of his range and willingness to explore complex human emotions on screen.
Despite his experience and demand, Anang isn’t chasing every opportunity.
“I turn down scripts a lot.”
For him, it’s about quality over quantity. Making sure every role aligns with his standards and contributes meaningfully to his body of work.
“In as much as I want to exhibit the craft, I also don’t want to be all over the place.”
In an industry often driven by appearances, Anang is advocating for more thoughtful casting.
“We shouldn’t reduce our creations to just looks do they fit the role?”
It’s a call for filmmakers to prioritize depth, authenticity and character alignment over surface-level appeal.
For Anang, acting goes far beyond following a script. “The script is just the frame, we bring the blood, flesh and breath of fresh air to it.”
It’s a powerful reminder that actors are not just performers, they are co-creators in storytelling.
At the core of it all is a commitment to excellence. “I don’t like shoddy work, I think we need to lift our game.”
It’s both a personal mantra and a challenge to the industry to push boundaries, refine quality and take Ghanaian storytelling to the next level.
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Libianca described herself as a “fusion” artiste, saying her music draws from different influences rather than fitting neatly into one category.
Libianca said she had given herself two years to make progress in music after leaving college, and was prepared to abandon her faith if nothing changed.
The book chronicles Sackey’s professional and personal journey from his beginnings in Ghana into a career that took him from the newsroom to conflict zones in Liberia and Sierra Leone, and eventually to the corridors of the United Nations and Ghana’s Ministry of Foreign Affairs.
Ghana will have a significant presence in the programme, with films such as Legacy Africa, Ashes of Accra, Love Is Death (Odo Yewu), King of Tema, Sesime, Home, Or Our Journey Is Still Long and We Won’t Let You Poison Us among the selected works.
The 13-track project continues the artiste’s consistent output in Ghanaian hip-hop and trap.
The project’s campaign begins with the lead single Customer, scheduled to drop on September 18.
According to the union, current fuel prices combined with rising costs of spare parts, lubricants, insurance and taxes remain above the threshold needed to maintain existing fares.
According to the GRA, the number of phones alone does not determine whether duty is payable.
Addressing fans midway through the show, she expressed gratitude for the tour, calling it one of the most beautiful and extraordinary experiences of her life.
The two transport bodies said the request had been submitted in line with the administrative instrument governing the review of public transport fares.
The party said it had observed what it called “extraordinary alacrity” in the issuance of vacation warrants in some political cases involving NPP members.
In a statement issued on Thursday, 3 September 2026, the NPP accused the Chief Justice of making political comparisons between the performance of President John Mahama’s NDC administration and the previous NPP government.
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