Entertainment consultant and event producer, Victoria Remi Nkong, has urged African artists, governments, and industry leaders to work more closely together to strengthen the continent’s music industry and expand its global influence.
Speaking on the Morning Bite on 3Music TV and Pluzz 89.9 FM, Victoria said African music had gained significant international recognition in recent years, but success remained concentrated in only a few markets.
She said the continent needs to promote African music rather than music from individual countries if it wants to build lasting global success.
“We need more African talents to come together and take space on the global stage,” she said.
Victoria said Bridge Afrique was created to connect creatives across Africa through education, networking, and collaboration.
The organisation runs workshops that bring emerging artists together with established musicians and music executives to learn about the business side of the industry and record new music.
According to her, this year’s Showbiz 101 programme brought together artists from 16 African countries and the diaspora, resulting in about 50 collaborative songs.
She said one of the biggest barriers to cross-border collaboration remained the reluctance of some artists to work beyond their home markets.
“There is so much ego with artists,” she said, arguing that musicians should focus on expanding their audiences across the continent rather than limiting themselves to local success.
Victoria also pointed to practical challenges, including expensive air travel, visa restrictions and limited transport links between African countries, saying policymakers must make movement across the continent easier for creatives.
She added that African governments and investors needed to recognise the economic value of the creative industry and invest in African-owned platforms that support the distribution and promotion of local music.
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Libianca described herself as a “fusion” artiste, saying her music draws from different influences rather than fitting neatly into one category.
Libianca said she had given herself two years to make progress in music after leaving college, and was prepared to abandon her faith if nothing changed.
The book chronicles Sackey’s professional and personal journey from his beginnings in Ghana into a career that took him from the newsroom to conflict zones in Liberia and Sierra Leone, and eventually to the corridors of the United Nations and Ghana’s Ministry of Foreign Affairs.
Ghana will have a significant presence in the programme, with films such as Legacy Africa, Ashes of Accra, Love Is Death (Odo Yewu), King of Tema, Sesime, Home, Or Our Journey Is Still Long and We Won’t Let You Poison Us among the selected works.
The 13-track project continues the artiste’s consistent output in Ghanaian hip-hop and trap.
The project’s campaign begins with the lead single Customer, scheduled to drop on September 18.
According to the union, current fuel prices combined with rising costs of spare parts, lubricants, insurance and taxes remain above the threshold needed to maintain existing fares.
According to the GRA, the number of phones alone does not determine whether duty is payable.
Addressing fans midway through the show, she expressed gratitude for the tour, calling it one of the most beautiful and extraordinary experiences of her life.
The two transport bodies said the request had been submitted in line with the administrative instrument governing the review of public transport fares.
The party said it had observed what it called “extraordinary alacrity” in the issuance of vacation warrants in some political cases involving NPP members.
In a statement issued on Thursday, 3 September 2026, the NPP accused the Chief Justice of making political comparisons between the performance of President John Mahama’s NDC administration and the previous NPP government.
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