Nigerian artiste Lami Phillips and Burundian singer Vania Ice have opened up on the challenges women continue to face in Africa’s music industry, saying female artistes are often judged more on their appearance than their work.
Speaking on The Big Convo on 3Music TV’s Culture Daily, Lami Phillips said women in music constantly face objectification and often lose opportunities when they refuse to meet personal expectations unrelated to their talent.
She said female artistes are regularly forced to think about issues that male musicians rarely encounter, including scrutiny over clothing, appearance and unwanted advances during business interactions.
Lami Phillips described balancing artistic expression with public expectations as an ongoing struggle, saying many women face pressure either to present themselves in a certain way or risk missing industry opportunities.
Vania Ice said female musicians in Burundi face similar experiences despite operating in a much smaller music industry.
She recalled attending an international music programme alongside a male artiste, where both had access to the same workshops and recording sessions.
However, she said public discussion focused on questioning how she secured opportunities rather than recognising her work.
The singer also spoke about choosing music over a career in mechanical engineering after completing her degree in China.
She said her family initially opposed the decision and expected her to pursue engineering, but her mother eventually supported her choice despite criticism from relatives.
Both artistes encouraged women to continue developing their skills and education alongside their music careers, arguing that professional competence and strong character remain essential for long-term success in the industry.
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Libianca described herself as a “fusion” artiste, saying her music draws from different influences rather than fitting neatly into one category.
Libianca said she had given herself two years to make progress in music after leaving college, and was prepared to abandon her faith if nothing changed.
The book chronicles Sackey’s professional and personal journey from his beginnings in Ghana into a career that took him from the newsroom to conflict zones in Liberia and Sierra Leone, and eventually to the corridors of the United Nations and Ghana’s Ministry of Foreign Affairs.
Ghana will have a significant presence in the programme, with films such as Legacy Africa, Ashes of Accra, Love Is Death (Odo Yewu), King of Tema, Sesime, Home, Or Our Journey Is Still Long and We Won’t Let You Poison Us among the selected works.
The 13-track project continues the artiste’s consistent output in Ghanaian hip-hop and trap.
The project’s campaign begins with the lead single Customer, scheduled to drop on September 18.
According to the union, current fuel prices combined with rising costs of spare parts, lubricants, insurance and taxes remain above the threshold needed to maintain existing fares.
According to the GRA, the number of phones alone does not determine whether duty is payable.
Addressing fans midway through the show, she expressed gratitude for the tour, calling it one of the most beautiful and extraordinary experiences of her life.
The two transport bodies said the request had been submitted in line with the administrative instrument governing the review of public transport fares.
The party said it had observed what it called “extraordinary alacrity” in the issuance of vacation warrants in some political cases involving NPP members.
In a statement issued on Thursday, 3 September 2026, the NPP accused the Chief Justice of making political comparisons between the performance of President John Mahama’s NDC administration and the previous NPP government.
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