Ghanaian-American AfroPop musician
Moliy set the stage ablaze with an exciting performance of her global hit SHAKE
IT TO THE MAX (FLY) remix on On The Radar, featuring dancehall heavyweights
Shenseea, Skillibeng, and Silent Addy. The performance, shared via On The
Radar’s platform on April 29, 2025, has quickly gained attention.
Moliy gained recognition for her
contributions on Amaarae’s SAD GIRLZ LUV MONEY and has continued growing in
popularity for her infectious melodies and genre-blending style. Bringing her
signature charisma to the performance, she is captured seamlessly blending
Afrobeats and Dancehall rhythms. The remix, originally released in February
2025, has been a chart-topping success, peaking at #1 on the UK Afrobeats Songs
chart and #3 on the Billboard World Digital Songs Sale Chart. The On The Radar
performance amplified the track’s appeal, with Moliy’s commanding stage
presence complemented by the song’s pulsating Caribbean beats, crafted by
producers Silent Addy and Disco Neil.
The performance highlighted the
synergy of the remix’s all-star lineup. While Shenseea, Skillibeng, and Silent
Addy did not appear in the On The Radar session, Moliy channeled their energy,
delivering the song’s bold lyrics with a boss-lady attitude that resonates with
fans worldwide. The track’s lyrics, celebrated for their confident and playful
vibe, were brought to life as Moliy moved effortlessly to the infectious
rhythm, echoing the viral TikTok dance challenge that propelled the song’s
initial rise.
Fans took to X to praise Moliy’s
performance, with posts highlighting her ability to hold the stage solo while
representing the remix’s collaborative spirit. The performance comes on the
heels of the song’s continued chart dominance, including a Top 10 entry on the
UK Official Hip-Hop and R&B Singles Chart and a reported 600,000 daily
streams on Spotify.
The SHAKE IT TO THE MAX (FLY)
remix has solidified Moliy’s place as a rising global star, with the On The
Radar performance further rubberstamping her ability to captivate audiences.
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