Spice passionately highlighted Dancehall’s authenticity, emphasizing that its roots are so deeply embedded in Jamaican culture that no external influence could compromise its originality. She added that in Jamaica, 10 out of 10 emerging artistes naturally gravitate towards dancehall, though some infuse contemporary styles like Trap Dancehall—a genre blending Hip-hop’s trap beats with traditional Dancehall rhythms.
Stonebwoy, known for seamlessly navigating Reggae, Dancehall, and Afrobeats, echoed Spice’s sentiments but pointed to Ghana’s unique challenges. He explained that Ghana’s vast cultural diversity, with its multitude of languages and traditional sounds, shapes artistes’ creative paths in distinct ways. "Genres of music were created by labels, not creators," Stonebwoy declared. "As a creative, I make what I feel spiritually inclined to make."
Both artistes concluded the discussion by championing the need to focus on cultural authenticity and financial investment in music. Spice applauded Stonebwoy’s efforts to amplify Ghanaian dancehall globally, noting that his work inspired her to connect more deeply with the Ghanaian music scene.
"There’s something special about Ghana," Spice said. "Stonebwoy’s dedication shows that Dancehall isn’t just Jamaica’s story—it’s a global movement."
Their conversation, brimming with passion and mutual respect, serves as proof of the universal power of music and its ability to bridge cultures. Through platforms like 3Music TV, these artistes continue to inspire meaningful dialogue and elevate the legacy of their genres on a global stage.
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